i agree. my cache of old 6l6, 6v6 and el84 tubes are what i use for ME and when i want that extra sparkle. they don't leave my place for a gig. an old rca or sylvania or especially the grey plate coke bottle 6l6 tubes give my low watt single ended 5E3 style amps something extra. no doubt. but i wouldn't waste it on a margarita soaked crowd who couldn't even tell if it was a tube amp in the first place.pylet2000 wrote:You know, I'm a tube snob seeking out old tubes (although I'm just as happy with used pulls as NOS). I keep the better of the new tube types around, and use them with results that are acceptable to me.
For example, I run a pair of RCA power tubes in my Lite IIb. Sounds great. The JJ's sound 85% as good. When I'm playing only by myself, I can readily notice that little something extra (goes to 11 maybe? ). With a bass and a drummer thrown in there, I'd likely never be able to tell or feel the difference between those RCA's and the JJ's. I've found this to be consistant with the 6V6's and 12AX7's too. Get the best of breed new production, and when being played live you'll never miss that last little something extra.
If you record a lot or play only by yourself, the NOS are worth seeking out. If you play out a lot, with loud drummers, the new productions are just fine. Save the NOS stuff for the guys that are recording.
some really amazing odd ball tubes out there, like some japanese EL84's that came out of old movie projectors i found are really killer too. it all comes down to "tasting" them and learning. kind of like good fresh salsa. if you know what it tastes like with cilantro you can appreciate the difference. if not a bottle of old el paso will do.
lots of the old stock i have are pulls and they test better than new tubes in more than half of what i find. pulls can be a great source of bargains and turn up in the oddest places. don't forget the other parts associated with old amps. some are packing some amazing iron.