Marshall relaunches 18Wer (and others)

The place to discuss 18W-related ampfests, get-togethers, gigs, etc. These should be of interest specifically to 18watt.com members.

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stevesuk
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Post by stevesuk »

I have tried the company that made the original hole board for RS that Marshall used, it was an old Engineering firm in East London. They went bust about 18 months ago, the firm that have taken them over, use the same premises and phone number etc. BUT although they remember the product they also remember skipping (dumping) the tooling and remaining stocks when they took over.
So Marshall are sourcing elsewhere.
It is made from SRBP (Synthetic Resin Bonded Paper) which is still manufactured in blank sheets and used. It may be a future project for me to source the material and get an engineering company to CNC drill it. It could be cheaper to get the 27 X 21 hole sheets cut or made in 27 X 7 hole smaller sheets and CNC drilled that way. That's a lot of drilling, 567 holes in the complete sheet and 189 holes in the 27 X 7. Some CNC machines have multiple drills set up to drill all at the same time, but I wouldn't think 567 !!!

The turret tags are still made and are available from several sources, BUT they are not cheap.

Steve UK
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markd
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Post by markd »

Steve,
Remember this post you made at the old site?

>From: "steves02uk" <steve.smith@south-thames.ac.uk>
>Date: Sun Apr 21, 2002 5:42 am
>Subject: Original RS Board and Tags

>ADVERTISEMENT

>The original RS board and tags are still available from RS in the UK.
>I have looked into it and they will not supply outside the UK.
>BUT !!
>They are owned by Electrocomponents and they are situated in the
>states as below.

>If they still won't supply I could consider getting it in the UK, but
>it is not very cheap, it would cost about $25 each for board and 100
>tags including shipping.

> The RS catalogue number is RS 433-551 for the board and
>RS 433-589 for the turret tags. Be careful there are two sizes.

>NORTH AMERICA
>Allied Electronics Inc.
>7410 Pebble Drive
>Fort Worth
>Texas 76118
>www.alliedelec.com

> Message 4575 of 8308

I wish I had taken you up on that offer. Instead I got them through Allied and they were $38 for a full sheet and 100 turrets. The board was also a lighter color than the NOS sheet I got from you. But it definitely is from RS.

markd
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stevesuk
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Post by stevesuk »

Hello Mark,
Nice to hear from you. That seems more than two years ago !!

I have squirelled away half a dozen new sheets of RS hole board and a load of sheets with a few tags in them which can be drilled out. Fortunately RS and others still make the tags.
If I live long enough I hope to use them all in amps, particularly 36 Watters with MV TMB which is the Holy Grail as far as I'm concerned. You always have the tone and the power when you need it.
My next new project is to make a 2 X 12" combo sort of in the Marshall style but, with the speakers one above the other BUT the top speaker will incline back about 25 ? degrees, just for the guitarist to hear it. Blasting sound into the back of your legs on small stages isn't the best way to perform.
It may work, or it may end up like the 12" deep 24" high 28" long JTM45 combo gathering dust in the corner of the amp room because it is too big and heavy.

Steve UK
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ampkits
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Post by ampkits »

Hi,

RS dont make the tags, I dont think.

If you source around (esp in UK for the original type), you will find prices much cheaper. But at large quantities (10K and above).

On the RS board, I did try to find the manufacturer as RS had the name of company in the website. To no avail..hehe..

I dont think it was drilled. More like stamped? Hot stamped maybe?

I like SRBP, the RS type. It looks delicious (literally).

Thanks!

Nik
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pete_skelton
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Post by pete_skelton »

Hi

They had one of these amps chassis on display at the London Guitar Show. I had a good look, and only just resisted the temptation to run back and get my notebook and do a few sketches! The short and tall of it is that they don't seem to be using original parts, in terms of resistor and cap types. They are using that aged Greenback, 20W like the original ones were, not 25W.

Anyway, they were also had a band demoing a DSL100, Mode 4, and the 18W. Short and tall of it, it sounds LOVELY. Its sweet, not harsh like the BB/RI etc. The guitarist was using a PRS 22 Custom, and the band basically jammed on "'Cause We've Ended as Lovers" (Jeff Beck for the un-initiated). However, going by MP3s I've heard, what you guys are building still has the edge...

Just my 2 cents
peter
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Plexi
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Post by Plexi »

Peter: thanks for the info,and report! I guess we'll all no even more in a few months when the amps are let go to the public..


""However, going by MP3s I've heard, what you guys are building still has the edge... """

The mp3s are good,but they don't sound as good as when your in the room with the amp making them. They sound better in person than the MP3s. Although we try to make them as close or best as we can to what we are hearing.


Richie
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zaphod_phil
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Post by zaphod_phil »

I just read a great article on the new hand-wired 18W combo and 20W head, in the UK's "Guitarist" magazine. The pictures show the tubes in the combo now covered with a kind of aluminium cage and the power inout has an IEC connector. Otherwise, the amps look very original and authentic, complete with that pinstripe material on the fronts. The Marshall design engineer in the interview, Ian Robinson, said they had literally had to "...scour the globe for the right materials and components, and finding materials that met the original specification but met modern safety laws internationally, was a real challenge..." "We took our original amps from the Marshall museum and straight away we found things we knew weren't going to be easy to duplicate. For example one the transformers came from a trade parts supplier [RS no doubt :wink: ], so we had to go through them to track down the company that manufactured the transformer all those years ago to discover the specs so that we sould rebuild them. And that was one of the easier problems!" Hah, I think we could have saved Marshall some time and inconvenience there! :lol:
About the power stage of these amps, Ian Robinson says, "It's a totally different approach to our bigger amps... And that made it difficult to duplicate some of the tonal nuances of the originals. Taking away the negative feedback means that very little changes in components like the output transformer result in big audible differences. We had to go to some extreme lengths, like devising a special test rig that let us do instant A/B comparisons on different output transformers in the same amp circuit". Heck, all they need to have done was check the OT shoot-out by Adrian "Wannatone"! But that comment about the no NFB thing is very interesting.
Ian then goes on to say, "The right choice of EL84 is crucial to getting these amps to sound good. We went through a lot of brands that didn't have the reliability or tone - in this circuit most of the overdrive comes from those output valves and the output transformer has a lot to do with the way they respond". Again, that pretty much confirms everything we've been saying on this board.
Guitarist says of these amps, "Despite just having two volume and tone controls to work with - or perhaps because of that - you don't spend any time dialling these amps in: it's literally just plug in and turn up for some of the best vintage rock and blues guitar sounds you will ever hear. It's real classic Marshall stuff, with all the warmth that vintage amp lovers crave."

Right on!!! :thumbsup:
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Plexi
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Post by Plexi »

HAHAHA that was funny Phil.. they could have rented Adrians rig for the A/B-ing

"""We went through a lot of brands that didn't have the reliability or tone """

They don't say what they use or settled on. thats about with any amp,finding the tubes that sound good for the amp.
The tube taste test posted,shows that some sound a little better,but even the tubes they make now can also work and sound fine in the amps. I guess one could pic some to suit there ears. Kinda like speakers..none are too bad,just that there are better ones.


You know, since they got the ones from the museum,if they also grabbed some clones that others have made to see how they compared.

And nothing said of the trem?? Now that is weird. We'll just have to wait and see/hear how they sound. I still think they should have made the 2x12..

Richie
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zaphod_phil
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Post by zaphod_phil »

Marshall have made a matching cab for the 18W combo, which looks identical from the front, and the magazine article shows a combo and cab stacked.

IIRC the 20W head used to have a 1X12 cab. This time they have made a beautiful 2X12 slant front cab. Now, where have seen one of those before - Graydon? :wink:
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pete_skelton
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Post by pete_skelton »

IIRC they are putting Sovteks in again. *Groan*. From what I'm told, JJ make the best EL84s nowadays, I've got a set of JJs and a set of Sovteks in GT livery which I bought specifically to build an 18W with, I'll pit them against each other and let you know what I find.

Also, the one I saw being demoed didnt have the trem in use. Maybe they are having trouble with it...

peter
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kinai

Post by kinai »

Dig this :

http://www.marshallamps.com/images/products/hw/

(by the way I'm a newbie. Hi all!)
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Plexi
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Post by Plexi »

Someone on plexi palace said there is a demo recording of the 20 watt head..its in guitarist magazine. If anyone has that,maybe they could post it in our files..

Richie
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mark0614
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The end of the grill cloth debate.

Post by mark0614 »

Judging by the picture of the grill cloth at the Marshall site, it would appear that Marshall aren't going to try to make something that looks like the old "pinstrip" grill cloth.

That's a pity, because it looks so good!

Yours Sincerely

Mark Abbott.
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zaphod_phil
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Post by zaphod_phil »

Plexi wrote:If anyone has that,maybe they could post it in our files..
It's a real *cool* demo track. I just hope it's not illegal to post it.
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Plexi
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Post by Plexi »

Yeah that is kinda goofy.. if its a demo of the amp,seems they wouldn't mind posting it so people could hear it..Which may sell some amps for them..lol

Richie
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Psalm150
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Post by Psalm150 »

I just want one of those repro footswitches!
Then my amp would be complete!
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zaphod_phil
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Post by zaphod_phil »

Plexi wrote:... if its a demo of the amp,seems they wouldn't mind posting it so people could hear it..Which may sell some amps for them...
The demo was done by Guitarist magazine, not Marshall. But you could argue that it might help them sell more of their magazines, then...
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pete_skelton
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Post by pete_skelton »

I've just remembered something. At the demo I saw, they had a guy in a Marshall t-shirt saying a little bit about each amp on show, and he was going on about the amp "pushing the speaker past its ratings". I felt like reminding him it was an 18W amp with a 20W speaker, and that that lovely tone was coming from the output stage. How can their staff know so little? You'd think they'd have someone with loads of knowledge specific to the gear theyre showing off, in case someone like me or anyone else with some knowledge started asking questions

peter
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zenstate
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Post by zenstate »

Isn't the magic tone a combination of output valve distortion, transformer saturation AND speaker breakup [ie in his words the speaker being pushed beyond it's normal limit]?

[And this was all distorting, at first, kind of by accident and sounding great]

Maybe he was just being selective, instead of going into the whole chain/story?

BUT someone recently was arguing that speaker breakup was not a reality?

I think it is.

Maybe I need educating?

It reminds me of:

I remember when I met Jim Marshall and I said to him that my Park 45 didn't sound great when distorting ( I hadn't the correct type of cabinet for it at the time and it sounded poor - sounds great now).

His reply was : "They were never meant to distort in those days". [We're talking made in '64/'65]

best wishes :)
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jaysg
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Post by jaysg »

Wow! "Hand soldered" speaker cabinets. What will those crazy guys think of next? :roll:

As to OT saturation, I think that's oversold and undesireable. PI's are a bigger influence. imo...
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