Stranded vs Solid hookup wire
Moderators: zaphod_phil, Daviedawg, Graydon, CurtissRobin, colossal
- Aaron
- Occasional poster
- Posts: 186
- Joined: Wed 03/19/03 2:00 am
- Location: USA
Stranded vs Solid hookup wire
Hey yall,
I know stranded is better for durability and noise reduction, but I'd really like to use solid core wire for the heater wires in my new build - i'm planning on twisting them together to cancel hum anyway... will this be enough to minimize noise? is there really a big difference between the solid and stranded for this part of the circuit anyway?
-Aaron
I know stranded is better for durability and noise reduction, but I'd really like to use solid core wire for the heater wires in my new build - i'm planning on twisting them together to cancel hum anyway... will this be enough to minimize noise? is there really a big difference between the solid and stranded for this part of the circuit anyway?
-Aaron
0 x
-
- Senior Amp Tech
- Posts: 1677
- Joined: Thu 06/19/03 2:00 am
- Location: England
- Contact:
Interesting - all the new the ground and signal wires on my WEM rebuild are all solid (the original heater wiring stayed in place). Guess I'll soon find out if microphonics play a part.
For heater wires, I'd worry that the twisting might cause a break, but that'd be easy to spot and fix anyway...
For heater wires, I'd worry that the twisting might cause a break, but that'd be easy to spot and fix anyway...
0 x
- Aaron
- Occasional poster
- Posts: 186
- Joined: Wed 03/19/03 2:00 am
- Location: USA
-
- Occasional poster
- Posts: 275
- Joined: Sat 03/15/03 2:00 am
- Location: Escaped from Porterville
Hoffman sells the cloth covered. From his site:
'New LOWER PRICE - 22 gauge cloth covered hook wire.
Looks, smells and taste exactly like vintage Fender wire.
6 colors. Red - Blue - Yellow - Black - White - Brown.'
I think he means 'hook-UP wire'. Once you go cloth , you'll never go back. I hate all the stripping with the other. Worst part of amp building to me.
'New LOWER PRICE - 22 gauge cloth covered hook wire.
Looks, smells and taste exactly like vintage Fender wire.
6 colors. Red - Blue - Yellow - Black - White - Brown.'
I think he means 'hook-UP wire'. Once you go cloth , you'll never go back. I hate all the stripping with the other. Worst part of amp building to me.
0 x
- Aaron
- Occasional poster
- Posts: 186
- Joined: Wed 03/19/03 2:00 am
- Location: USA
-
- Senior Amp Tech
- Posts: 1677
- Joined: Thu 06/19/03 2:00 am
- Location: England
- Contact:
-
- Occasional poster
- Posts: 356
- Joined: Sun 03/30/03 2:00 am
- Location: USA
Wordy wire rant
Aaron,
Well, when it comes to wire, here is what I think about it.
Solid wire is great because it usually stays where you put it. A downer is that over long, and abusive periods of time, solid wire has been known to break--especially when used for filaments on Octal sockets--repeated plugging/unplugging "could" possibly cause the socket pins to put tension on the sold wire and cause it to break. However, this could just be isolated incidents by famous tube gurus--haha. Speaking of which, Ken Fischer, who I like a lot, but disagree with on some points, has expressed the opinion that Dielectric Absorbance [DA] can be heard when using different insulation--supposedly because of the capacitance differences in the insulation. For instance, he once expressed [pun] to me that he notices a notable tone difference when using PVC, Irradiated PVC, Teflon, etc. wire insulation.
FWIW, I like using Silver/Teflon wire because it gives me a warm fuzzy feeling --I don't really notice a tonal difference though. It's easy to work with and when soldering to base metal contacts [like Angela ceramic/silver sockets], using silver plated wire with silver solder [Radio Shack 2% is great stuff!] is supposed to keep the silver from migrating. In otherwords, it is supposed to keep the silver plating from becoming removed over time. If you are going to solder to silver/gold plated contacts or wire, use silver solder. However, tonally, you may get a few more higher frequency harmonics through by using silver wire because of silver's high conductivity, but it has more to do with keeping the integrity of the joint over time for me. Also, I like Teflon becuase I find it easy to strip--am I weird? I use a crappy old pair of adjustable cheapie strippers and they work well. What matters is the amount of pressure you exert on the insulation/wire. You don't want to leave marks on the wire--especially solid core--beause that would cause a weak point where flexing could eventually break the wire striaght through.
Cloth is killer stuff. I just ordered more from Angela Instruments today. They have stranded cloth wire that rocks. I seem to get less "snags" with the cotton insulation when using electrician's scissors with their wire vs. Mojo's cotton wire. Maybe it's just me. Also, the pre-tinned/stranded stuff is a breeze to work with and sounds great. I used this in my 18 Watt and 5E3. Becuase it is pre-tinned, it stays put like solid core wire.
Your solder joints are way, way more important than esoteric/exotic parts or wire. A cold joint will cause **** sound. Over time, if your joint is not soldered properly, it could also come loose or become oxidized as well.
As for PVC, I use a heat sink [chapie aluminum radio shack clip typ] on the exposed wire at the joint so the insulation will not melt. Even a quick hit at the joint with a soldering iron could cause the insulation to melt becuase the wire is a conductor of heat--and it stays hot for many seconds after the joint has been soldered and the iron removed.
As for flexing inside of an amp: the only place this is likely to occur is on the sockets. Sure wire vibrates all the time inside of an amp, but the worst "flexing" is from the repeated plugging/unplugging of vacuum tubes.
As for microphonics: Some think that stranded is more microphonic than solid. I don' think the wire is microphonic, I think that the vibrating wire hooked to a vacuum tube inside the chassis is what could be microphonic. In this case, cloth is great because it damps out vibration a bit. Although, I use thin walled 600V Teflon wire in my heads, and these amps are quiet as a mouse. Even when sitting on a Slant 4X12 full blast. Must be the Sorbothane feet...Anyway, pickups, tubes, chassis, etc are all have the potential to be way more microphonic than any single wire IME.
Jason
Well, when it comes to wire, here is what I think about it.
Solid wire is great because it usually stays where you put it. A downer is that over long, and abusive periods of time, solid wire has been known to break--especially when used for filaments on Octal sockets--repeated plugging/unplugging "could" possibly cause the socket pins to put tension on the sold wire and cause it to break. However, this could just be isolated incidents by famous tube gurus--haha. Speaking of which, Ken Fischer, who I like a lot, but disagree with on some points, has expressed the opinion that Dielectric Absorbance [DA] can be heard when using different insulation--supposedly because of the capacitance differences in the insulation. For instance, he once expressed [pun] to me that he notices a notable tone difference when using PVC, Irradiated PVC, Teflon, etc. wire insulation.
FWIW, I like using Silver/Teflon wire because it gives me a warm fuzzy feeling --I don't really notice a tonal difference though. It's easy to work with and when soldering to base metal contacts [like Angela ceramic/silver sockets], using silver plated wire with silver solder [Radio Shack 2% is great stuff!] is supposed to keep the silver from migrating. In otherwords, it is supposed to keep the silver plating from becoming removed over time. If you are going to solder to silver/gold plated contacts or wire, use silver solder. However, tonally, you may get a few more higher frequency harmonics through by using silver wire because of silver's high conductivity, but it has more to do with keeping the integrity of the joint over time for me. Also, I like Teflon becuase I find it easy to strip--am I weird? I use a crappy old pair of adjustable cheapie strippers and they work well. What matters is the amount of pressure you exert on the insulation/wire. You don't want to leave marks on the wire--especially solid core--beause that would cause a weak point where flexing could eventually break the wire striaght through.
Cloth is killer stuff. I just ordered more from Angela Instruments today. They have stranded cloth wire that rocks. I seem to get less "snags" with the cotton insulation when using electrician's scissors with their wire vs. Mojo's cotton wire. Maybe it's just me. Also, the pre-tinned/stranded stuff is a breeze to work with and sounds great. I used this in my 18 Watt and 5E3. Becuase it is pre-tinned, it stays put like solid core wire.
Your solder joints are way, way more important than esoteric/exotic parts or wire. A cold joint will cause **** sound. Over time, if your joint is not soldered properly, it could also come loose or become oxidized as well.
As for PVC, I use a heat sink [chapie aluminum radio shack clip typ] on the exposed wire at the joint so the insulation will not melt. Even a quick hit at the joint with a soldering iron could cause the insulation to melt becuase the wire is a conductor of heat--and it stays hot for many seconds after the joint has been soldered and the iron removed.
As for flexing inside of an amp: the only place this is likely to occur is on the sockets. Sure wire vibrates all the time inside of an amp, but the worst "flexing" is from the repeated plugging/unplugging of vacuum tubes.
As for microphonics: Some think that stranded is more microphonic than solid. I don' think the wire is microphonic, I think that the vibrating wire hooked to a vacuum tube inside the chassis is what could be microphonic. In this case, cloth is great because it damps out vibration a bit. Although, I use thin walled 600V Teflon wire in my heads, and these amps are quiet as a mouse. Even when sitting on a Slant 4X12 full blast. Must be the Sorbothane feet...Anyway, pickups, tubes, chassis, etc are all have the potential to be way more microphonic than any single wire IME.
Jason
0 x
-
- Newbie
- Posts: 82
- Joined: Thu 05/01/03 2:00 am
- Location: Japan
I don't think you can hear the wire in a guitar amp. The electric guitar's sheilded cable has enough capacitance to reduce the bandwidth to a very narrow range in the first place so where is the advantage of using expensive wire inside the amp. The frequencies aren't there in the first place. I even doubt that you can hear differences in wire with hi fi amps. I've seen recording engineers that used elephant wires from the amp to their monitor speakers and claimed they heard a difference. When they saw the tiny wire inside the speaker cabinet they seemed to want to change the subject quickly. Some also had monster AC cords for their equipment and said they could hear this too even when the amp or tape machine had a regulated power supply.
Sorry for the rant but I've seen a lot of hocus-pocus over the years in recording studios and mastering rooms (especially the latter!).
I agree though that solid core makes a neater dress and the cloth covered looks nice. I used it on my 5E3 clone. I'm using stranded PVC on my 18 watt though because I think that's what Jim Marshall used. I'm putting my money on the components, especially caps, and trusting that the original design of the amp is where most of the tone is coming from. I wish I could afford a Celestion Alnico Blue though. I'm sure this would really enhance the tone. I'm using a Greenback to save some money.
Sorry for the rant but I've seen a lot of hocus-pocus over the years in recording studios and mastering rooms (especially the latter!).
I agree though that solid core makes a neater dress and the cloth covered looks nice. I used it on my 5E3 clone. I'm using stranded PVC on my 18 watt though because I think that's what Jim Marshall used. I'm putting my money on the components, especially caps, and trusting that the original design of the amp is where most of the tone is coming from. I wish I could afford a Celestion Alnico Blue though. I'm sure this would really enhance the tone. I'm using a Greenback to save some money.
0 x
-
- Charter Member
- Posts: 4305
- Joined: Fri 03/14/03 2:00 am
- Location: Ky. USA
"""Gabi told me the drawback of solid-core wire is microphonics. Microphonics would cause an issue with signal-carrying leads, but I wouldn't worry about them with heaters. """
I may be the one who gave Gabi the info on this..
In some amps its more do to vibrations and things like that in signal wires. But if its placed in the right position,or as some use silicone to hold them from moving. Then its not a problem. I think most use 20,22 or 24 ga.
When using solid wire ,you might want to consider the size ,if your going to have a couple wires into a pot lug conection or another lead with a wire. So you have room to make them fit. If the wire is to big, you can't get them in the lug,and have to resort to doing it another way. Many amps have been built using both types.
Richie
I may be the one who gave Gabi the info on this..
In some amps its more do to vibrations and things like that in signal wires. But if its placed in the right position,or as some use silicone to hold them from moving. Then its not a problem. I think most use 20,22 or 24 ga.
When using solid wire ,you might want to consider the size ,if your going to have a couple wires into a pot lug conection or another lead with a wire. So you have room to make them fit. If the wire is to big, you can't get them in the lug,and have to resort to doing it another way. Many amps have been built using both types.
Richie
0 x
-
- Charter Member
- Posts: 4305
- Joined: Fri 03/14/03 2:00 am
- Location: Ky. USA
Oh i forgot to add a link to a great place to get cloth wire and other types.
http://www.apexjr.com/wire.html
Richie
http://www.apexjr.com/wire.html
Richie
0 x
- markh
- Charter Member
- Posts: 1503
- Joined: Wed 12/18/02 2:00 am
- Location: SE PA, USA
- Contact: